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The two singles put out so far by Ashnymph are hard to categorise: the band's own tag of the sound as “subconscioussion” provides few hints. Their initial track Saltspreader combined a jackhammer industrial beat – bandmember Will Wiffen has sometimes been seen on stage sporting a shirt that bears the logo of the trailblazing band Godflesh – with retro-style synths and a riff that subtly echoes the classic Stooges track I Wanna Be Your Dog, before transforming into a barrier of unsettling sound. Its intended effect, the band has indicated, was to conjure highway journeys, “the grinding circulation of vehicles around the clock over vast spans … orange lights at night”.

The subsequent track, Mr Invisible, occupies a space between nightclub tunes and left-field alt-rock. For one thing, the track’s rhythm, layers of hypnotic electronics, and singing that comes either psychedelically smeared or spellbindingly cyclical in a way that recalls Dubnobasswithmyheadman-era Underworld all suggest the dance space. Conversely, its intense performance-style shifts, brink-of-disorder feel and overdrive – “making everything sound crunchy is a long-term goal,” Wiffen noted – mark it out as very much the work of a band rather than a solitary home producer. They've performed around the independent music circuit in south London for a short time, “anywhere that will turn the PA up loud”.

But the two tracks are vibrant and distinct – from one another and other current music – to prompt questions about Ashnymph's upcoming moves. Whatever it is, on the evidence of Saltspreader and Mr Invisible, it’s unlikely to be boring.

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